Archive for the ‘Darren Aronofsky’ Category

Two Blondes Countdown to the Oscars: Best Director

February 26, 2011

The Nominees:

Darren Aronofsky Black Swan

David O. Russell The Fighter

Tom Hooper The King’s Speech

David Fincher The Social Network

Joel Coen and Ethan Coen True Grit


WHO WE THINK WILL WIN

Jessica:  Tom Hooper

Alison: Tom Hooper

WHO WE WANT TO WIN

Jessica:  I want Darren Aronofsky to win for Black Swan.  The movie takes so many turns and you’re never quite sure what is and isn’t reality in a delightful way.  Even after the movie ended I spent a while in my head trying to sort out what was real and I like movies that leave you still dissecting what went down hours after they have ended.  In Black Swan, those plot pirouettes (Get it?  Because it’s a ballet movie!) are due to Aronofsky.

Alison: I’d be happy with either Tom Hooper or Darren Aronofsky. I’ve always been an Aronofsky fan, and Black Swan is like no movie I’ve seen before. And The King’s Speech is pure filmmaking excellence.

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Two Blondes Go To A Movie: The Wrestler

January 28, 2009

Two Blondes review movies and ramble a lot about themselves:

JESSICA SAYS:

Normally, if you said to me, “Jessica, do you want to go see that new Mickey Rourke movie about professional wrestlers,” I would politely decline and then reevaluate why we are friends. That was until I saw the preview for The Wrestler before The Curious Case of Benjamin Button. I was intrigued. It actually looked good. Really good. Guess what? It totally is good.
Nine 1/2 Weeks was the only Mickey Rourke movie I had seen before now and I had never seen a Darren Aronofsky film. I know, I should totally see Pi and Requiem for a Dream and I want to, I just haven’t made it around to them yet (especially Requiem for a Dream; it stars my pretend boyfriend, Jordan Catalano…ahem, I mean Jared Leto. He’s so pretty.). What I did know about Mickey Rourke was, and I don’t know how to say this politely, but…OK, forget polite, the freak show that was his face after too much or just really bad plastic surgery.  But hey, I still enjoy Kathy Griffin even with somewhat distracting plastic surgery. I loved that Aronofsky made the decision to follow Rourke from behind for the first few minutes of the film. It had the combined effect of letting you get into the story without the distraction of Rourke’s face, while at the same time building tension for it’s arrival. mickey-rourke-ba1

The fact that I really enjoyed this movie is all the more remarkable when you consider that I abhor professional wrestling. My grandpa and my cousin, David, used to watch it when I was a kid and it scared the bejeezus out of me. Randy ‘Macho Man’ Savage, Jake the Snake, and of course, Hulk Hogan. I would try to watch with them, but I just couldn’t stand it. Even though I knew it was ‘fake,’ I found nothing enjoyable about watching a man hit another man with a folding chair. You don’t have to have any opinion on the WWF to appreciate this film.

Marisa Tomei is great. I never saw My Cousin Vinny, but I know there have always been rumblings that she didn’t deserve her Oscar for it. She deserves any accolades she gets for this part. Not to mention that every inch of her body is on full display in The Wrestler and she looks damn good. It’s fair to say that her performance is naked in every sense of the word, which is a pretty remarkable thing to watch.

I was really moved by this movie. If broke my heart a little, so if you’re looking for a pick-me-up, this is not the film. I won’t give away the specifics of the ending, but I will say I was pleased with it. Not everything is tied up with a little bow for you. For a change, an American film gives the audience’s intelligence the benefit of the doubt. Thank you.

I recommend seeing this film as soon as possible. Mom, if you’re reading, be warned that there are squirm-inducing injuries in this film–think staple gun. *Shiver*

ALISON SAYS:

It took me a while to finally sit down and write my review for The Wrestler. 45% of that may be contributed to procrastination and a new fascination with Hulu.com (yes, I know I’m behind the times, but I had an old computer up until recently that didn’t work well with Hulu). Anyway, my point is besides the 45% procrastination, there was also the 55% (is that math right?) that had to do with wanting to do this film justice and being able to put into words how I felt watching this film. The word “wrecked” comes to mind.
I never thought I’d be so moved by a film about a guy who spends his time in tanning booths and lycra, especially one starring Mickey Rourke. But that is why Darren Aronofsky is a genius (not that I’m not a genius, but on the genius scale, I would put Aronofsky just a tad higher). And that is also why I am saddened that Aronofsky wasn’t nominated for an Oscar for Best Directing. I haven’t seen The Reader or Milk yet, and of the other films in that category that I have seen, they were excellent movies and directors who proved why they’re at the top of their game. But nothing comes close to the surprising (some might say shocking) performance that Aronofsky got out of Mickey Rourke. I can’t imagine any other film feeling as real and heartbreaking as this one does. Aronofsky is a master at this, as can be seen in Requiem For A Dream, an amazing film.

leapThe Wrestler is gritty. It seems like a cliché word to use, but it fits. The graininess of the footage and the close-ups of Rourke’s surgery-ravaged face. Every bleak detail of Randy ‘The Ram’ Robinson’s life broke my heart. There’s something about a over the hill, tanned, strangely chiseled man with bleached hair putting in a hearing aid or wearing bifocals that wrenched at my heart like nothing I’ve ever felt in a film before. Mickey Rourke deserves every accolade coming his way. I only hope he learns from the tragedy of the character he plays in The Wrestler, and uses some of that wisdom to deal with his rebirth as a movie star. Praise must also be heaped on Marisa Tomei. It took guts and fearlessness to play that role. I’m not just talking about being almost nude in the film. Tomei shows she is an Oscar worthy actress, along with still having an amazing body.

Sidenote: I found it interesting the script was written by Robert D. Spiegel, former Editor in Chief of The Onion, of which I am a big fan. I was also surprised he wasn’t nominated for an Oscar for Best Screenplay.

Personal note: I used to watch wrestling on TV with my dad as a kid. Maybe that’s why I was so moved at seeing what some of my childhood entertainers may have turned into.

LA Viewers: Go see it now! It’s worth paying full price at the Grove or Arclight for.

Translation for non-LA natives: This a film worth seeing in the theaters.

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