Posts Tagged ‘best supporting actress’

Two Blondes Countdown to the Oscars: Best Supporting Actress

February 22, 2011

The Nominees:

Amy Adams The Fighter

Helena Bonham Carter The King’s Speech

Melissa Leo The Fighter

Hailee Steinfeld True Grit

Jacki Weaver Animal Kingdom


WHO WE THINK WILL WIN

Jessica:  Melissa Leo

Alison:  Amy Adams or Melissa Leo

WHO WE WANT TO WIN

Jessica:  I should stipulate that I have not seen Animal Kingdom, so I have no idea what Jacki Weaver’s performance was like.  Literally, the only thing I know about her is she is nominated in this category for a movie called Animal Kingdom.  I had never heard of her or the movie before the nominations came out and I’m someone who considers myself fairly up on pup culture things.  I look forward to adding Animal Kingdom to my blockbuster queue…and then probably not see the movie for another five years.  There are a lot of movies on my list already.  I just checked – there are 377 titles currently on my wait list.  Anyway, back to the matter at hand – who I want to win.  I’ll go with Amy Adams in The Fighter.  She was tough, but vulnerable.  I also like Melissa Leo’s performance, but I wasn’t crazy about the ads she took out in the trades on her own behalf.  That just seems…off.

Alison:  I’d be happy if Amy Adams, Melissa Leo or Helena Bonham Carter won.  I love all three actresses and think they all make interesting choices career wise.  Melissa Leo disappears into this role, as she also did in the film Frozen River and I love her lack of ego with portraying tough, sometimes broken women.  Helena Bonham Carter is a force to be reckoned with and usually takes over the screen in movies like Fight Club and the Harry Potter series, but in The King’s Speech, is able to play a quiet strength and let Colin Firth shine in his role.  She is perfect in this movie.  Amy Adams shows a different side of herself in The Fighter.  I loved this tough-girl side of her.  I just love her in general.  She’s cute and sweet.

Two Blondes Go To a Movie: The Reader

February 24, 2009

Two Blondes review a movie and ramble a lot about themselves:

thereader_poster061

ALISON SAYS:

I really related to the The Reader, because Jessica and I often read our blogs out loud to one another, while playing with each other’s hair and one of us carries a terrible secret that will cause the other great pain and intimacy issues.

300thereaderkrosswinsletlc1211081All joking aside, I thought this film was fantastic. Sure, I had trouble sympathizing with Hannah Schmitz, a woman who chose duty over human life. But she was one of the most complex characters I’ve encountered on film. And she was brought to life by the amazing Kate Winslet, who deserves every accolade and naked, golden man to come her way. I also was equally impressed with David Kross, who was barely eighteen when they shot the film. He held his own while sharing the screen with one of the world’s most famous actresses. And made me believe his story as he evolved from naive innocence to a man burdened by betrayal.

Here’s what we’ve also learned from this film and the Oscar winners: Stephen Daldry + talented actress + special effects makeup = Oscar (Please see either The Reader or The Hours as examples.)

I read that Daldry will be directing The Amazing Adventures of Kavalier & Clay. This was one of my favorite books of the last ten years, so I’m both excited and nervous to see what he does with it. If you haven’t read it, please run out and get it right away.

LA Viewers: Hurry to Sunset 5 and go see this film.

Translation for non LA-viewers: Go see it. And be prepared for a lot of nudity and top-notch acting.

JESSICA SAYS:

This may sound dense, but I didn’t really think The Reader was going to be about reading. I know, it’s right there in the title, but I just didn’t give it much thought. I just assumed it was about a Nazi SS officer and probably sex, since Kate Winslet was supposed to be naked for a large part of the film. I must admit, I was quite pleased when I realized it really was about the joy/power/sexiness of reading. I love being read to, which I’m sure is true for a lot of people. However, I also love reading to someone. I like to put on voices for the characters and give my own interpretation, but don’t get me wrong, I have absolutely no designs on ever acting. I just like to give the occasional dramatic interpretation for an audience of one or two. Unfortunately, after somewhere around the age of 12 (junior high), people think it’s weird if you want to read to them. Well, most people. My sister and I have logged hours on beaches or in bed at Mom’s or Dad’s house with me reading to her (until she falls asleep). I was particularly proud of my Bridget Jones’s Diary reading I gave at Myrtle Beach some years ago. You should try it. It’s fun.

Kate Winslet is splendid, as always. I’ve never seen a performance of hers that I did not enjoy…and that includes The Holiday (not a great film, but she’s lovely). She is so completely raw and daring; totally deserving of her Oscar and Golden Globe win. However, she won the Golden Globe for Best Supporting Actress and this is clearly a lead actress role. I understand that by putting her in the supporting category, she wasn’t competing against herself for Revolutionary Road, but it just seems weird to call this role ‘supporting.’

I am very thankful I can read, especially after seeing The Reader. That’s the main thought I came away with at the end of the movie. You see, Hanna Schmitz (Winslet) is illiterate and the big question of the film is does this excuse not only being complicit, but directly involved in one of the most tragic and horrifying events in history. I felt like the implied answer by the end of the film was yes and that bothers me. Well, OK, perhaps the statement made was closer to saying the fact that she teaches herself to read in prison somehow makes up for allowing innocent people to be murdered.  I think instinctually, even if you had never seen a book in your life, a (sane, adult) human knows it’s wrong to kill another person. The fact that there was some sort of redemption for a Nazi in this story was hard for me to swallow.

After you see this movie, I want you to think about Ricky Gervais’ quip at the Golden Globes about Holocaust films garnering automatic acclaim and see if there isn’t the ring of truth there. Kate Winslet is splendid. The Reader is…OK. I recommend waiting until it comes out on video.

Two Blondes Make Predictions: The Oscars

February 21, 2009

Two Blondes shake their glittery Magic 8 Ball and make some predictions about the Oscars:

ALISON SAYS:

pixar_walle1BEST PICTURE:
Who I think will win: Slumdog Millionaire
Who I want to win: WALL-E
I can’t describe how much I love WALL-E.  It’s one of the only films in my life to make me cry (my heart is normally protected by a hard stone cover).  I’ve never seen a character as loving, fragile and as wonderful as that goshdarn little robot.  I’m sure admitting this publicly will take away what little “street cred” I have (if any), but I can’t refrain from gushing over WALL-E.  Even my cell phone has a ring that involves that little robot yelling out “EVE-A.”

DIRECTING:
Who I think will win: Slumdog Millionaire
Who I want to win: The Wrestler, but Darren Aronofsky isn’t even nominated.
Dear Academy,
WTF?
Alison

frozen_river_melissa_leoACTRESS IN A LEADING ROLE:
Who I think will win: Kate Winslet
Who I want to win: If you’d asked me five days ago, (before I received Frozen River on Netflix), I would have called it a tie between Meryl Streep and Kate Winslet.  But now after having watched Frozen River, I’ve gotta put the tie between Melissa Leo and Kate Winslet.  I’d also go so far as to call Melissa Leo’s performance almost as raw and gritty as Mickey Rourke’s (of course the films couldn’t be more different, but there’s something to both performances that struck a nerve with me and exhibited a lack of vanity).

ACTRESS IN A SUPPORTING ROLE:
Who I think will win: Marisa Tomei.  And I hope she says “See?!  It wasn’t a fluke.”
Who I want to win: Marisa Tomei, followed closely by Viola Davis.  Both women blew me away.

wrestler-aronofsky-promo-01ACTOR IN A LEADING ROLE:
Who I think will win: Toss up between Frank Langella and Mickey Rourke.
Who I want to win: Mickey Rourke.  He’s fucking amazing in The Wrestler.
Mom, I’m sorry to swear, but it’s the truth.
I also wish there was a “Shout Out Best Actor” Oscar category that could be given to Ben Burtt for creating the voice and sounds for WALL-E.

ACTOR IN A SUPPORTING ROLE:
Who I think will win: Heath Ledger
Who I want to win: Tie between Heath Ledger and Phillip Seymour Hoffman.
Both were stunning performances.  An honorable mention for funny must be given to Robert Downey Jr. for Tropic Thunder.  I can’t imagine any other actor pulling off what he did in that film.  I don’t think that means he should get an Oscar over the other nominees, but I’m sure glad he’s being recognized.

WRITING (ADAPTED SCREENPLAY):
Who I think will win: Slumdog Millionaire
Who I want to win: Doubt
I loved Slumdog Millionaire, but I think I loved it because it moves you while you’re watching it.  Afterwards, after the music and lights have faded, you wonder about some holes in the script and story, but it was still a film that made you sad and happy and in between throughout, so you forgive those flaws.  But in regards to Doubt, it performs on every level.  I can’t think of any weakness in it.  The script is pitch perfect.

walle_lgWRITING (ORIGINAL SCREENPLAY):
Who I think will win: Milk
Who I want to win: WALL-E.
Have I mentioned I love WALL-E?  Cause I do.  As I type this, I can look to my left and see a little WALL-E figurine sitting on my desk.  And every time I look at it, my heart swells.

ANIMATED FEATURE FILM:
Who I think will win: I’m really not sure, but Kung Fu Panda did sweep the Annie Awards.
Who I want to win: WALL-E.
You may have noticed a theme of me loving WALL-E.  On a sidenote, I do think Kung Fu Panda is wonderful and one of the best films DreamWorks has made.  I also find it really exciting how many animated films there are that are entertaining for audiences of all ages.

ART DIRECTION:
Who I think will win: The Curious Case of Benjamin Button or Changeling
Who I want to win: The Curious Case of Benjamin Button or Changeling

slum-dog-millionaireCINEMATOGRAPHY:
Who I think will win: Slumdog Millionaire
Who I want to win: Slumdog Millionaire
Every nominee should get a gold star in my humble but accurate opinion.  They’re all beautiful films.

COSTUME DESIGN:
Who I think will win: No idea.
Who I want to win: I’m not sure who I want to win, but I really want all of the dresses Kate Winslet wears in Revolutionary Road and all the hats Angelina Jolie wears in Changeling.  Can someone please arrange that for me?  I’d be your best friend forever!

FILM EDITING:
Who I think will win: Slumdog Millionaire
Who I want to win: The Dark Knight

MUSIC:
Who I think will win: Slumdog Millionaire
Who I want to win: WALL-E
While I loved the music in Slumdog Millionaire and have downloaded the album on iTunes, it’s the music in WALL-E that moved me and continues to move with every viewing in a way I’ve never experienced on any other film.  As I’ve said, I love that little robot.

SOUND EDITING:
Who I think will win: WALL-E
Who I want to win: WALL-E

SOUND MIXING:
Who I think will win: WALL-E
Who I want to win: WALL-E

benjamin_button_poster_lgVISUAL EFFECTS:
Who I think will win: The Curious Case of Benjamin Button
Who I want to win: The Curious Case of Benjamin Button and WALL-E
No matter whether you’re a Benjamin Button lover or hater, you can’t deny what the visual effects department accomplished in the film.  Visually, the film is a masterpiece, as is WALL-E.

*You may have noticed that there were quite a few ties in my choices.  I obviously suffer from indecision and an intense love of good filmmaking.  Also, it’s really hard to decide when you’re aware of how much work, blood, sweat and tears went into every film.

Congratulations and best wishes to all the nominees!
XXOO Alison

JESSICA SAYS:

BEST ACTOR:
My pick, were I an Academy member, would be Mickey Rourke and I’ll be shocked if he doesn’t win.  I haven’t seen The Visitor or Milk yet, so I can’t speak to Sean Penn’s and Richard Jenkins’ performances.  Running a close second here is Frank Langella.  If anyone can step in front of Rourke, it’s Frank Langella as Richard Nixon.  He is fantastic and already has a Tony for this role.  However, I’m giving the upper hand to Rourke because, besides the fact that he gave an outstanding performance, there is nothing folks like more than an underdog.

heath_ledger_joker_9BEST SUPPORTING ACTOR:
OK, I recently changed my mind on this one.  I think Heath Ledger will win – it’s almost absolute at this point.  He was a great actor and it truly is a shame we won’t get to see any future work from him.  He was great in The Dark Knight.  However, I’ve decided my vote (if I got one) in this category would go to Philip Seymour Hoffman.  The more I have reflected on it, the more I really am astounded by his performance in Doubt. ( I haven’t seen Milk or Tropic Thunder.)

kate-winslet-the-reader-3BEST ACTRESS
Kate Winslet.  My reason is the same as everyone else’s (I presume).  She is great in The Reader, but I’m also picking her for all those times she hasn’t won yet.  Plus, she’s totally awesome and will give a killer acceptance speech.  I totally respect the fact that she makes no bones about wanting to win.  You should want to win. ( I haven’t seen Frozen River.)

BEST SUPPORTING ACTRESS:
This is the category that is notoriously hard to pick, e.g. the last time Marisa Tomei won.  Personally, I would vote for Amy Adams in Doubt, although I loved Viola Davis and Marisa Tomei too.
BEST DIRECTOR:
Danny Boyle for Slumdog Millionaire.  It is rare that Best Picture and Best Director don’t go hand and hand, so…

slumdog_millionaireBEST PICTURE:
Slumdog Millionaire.  It will win, but Frost/Nixon is deserving as well.

OTHER CATEGORY PREDICTIONS:
Best Editing – Frost/Nixon
Best Foreign Language Film – Waltz with Bashir
Best Sound Editing – WALL-E (watch the DVD extras-they’re great)
Best Sound Mixing – The Dark Knight
Best Adapted Screenplay – Doubt
Best Original Screenplay – WALL-E

oscar_sallykirkland1

OTHER PREDICTIONS:
I predict Sally Kirkland and Faye Dunaway will inexplicably be in attendance.  They have both been at the previous two ceremonies and have served to only make me fear the ageing process that much more. I can only hope they reappear so I can read what Go Fug Yourself has to say about an ensemble like this:

I predict Renee Zellweger, if she attends, will usurp Jessica Simpson and Lindsay Lohan as the new most talked about weight issue.

Two Blondes Go to a Movie: Doubt

February 10, 2009

Two Blondes review a movie and ramble about themselves.


JESSICA SAYS:

I had my doubts about whether or not this film would live up to the hype.  Get it?  ’Doubts?’  It’s a pun!  But I digress.  My mom saw this movie before I did and every time we’ve talked since she tells me how good she thought this movie was.  Now, Mom doesn’t have bad taste in movies, per se, but her taste is not necessarily the same as mine.  For instance, she enjoys watching made-for-TV-movies on Lifetime Television for Women.  I do not.  I enjoy Pulp Fiction.  There is not a single scene in that movie Mom would enjoy (violence + swearing + sex + drug use = a film Mom would never sit through).

It turns out Mom and I pretty much agree on this one.  I’m not ready to say it’s the best movie I’ve seen in years, as Mom did, but it is definitely worth seeing.  The hesitation I had going in to this film was that the previews made it seem so dour and bleak.  You have to be in the right mood to want to sit down and watch a story about sexual abuse allegations.  I now realize that this film isn’t really about sexual abuse.  It does deal with that, but the story has more to do with gossip, standing up to authority figures, and trusting your instincts, than abuse.

The acting performances in the movie all around are as good as you have been hearing.  What can I say about how great Meryl Streep is that hasn’t already been said?  She really is a force to be reckoned with and Amy Adams, Philip Seymour Hoffman, and Viola Davis all more than met the challenge.  I want to give John Patrick Shanley a huge amount of credit because this story and the way he tells it are fascinating.  The characters are constantly making twists and turns and as the audience, you never are quite sure who to believe until the end.  That is not an easy feat to pull off.

I was raised Catholic, but I didn’t go to Catholic school, so I can’t really speak as to what that experience is like.  The nuns in my parish didn’t seem as draconian as Streep’s Sister Aloysius, but they were certainly not to be messed with.  I remember Sister Ruth Ann specifically who told us in CCD (the Catholic version of Sunday school) that it was healthy to have a glass of wine each night and in fact sometimes she just drank straight from the bottle, since it was only her and Sister Rose. I said I was raised Catholic, not I am Catholic because I’m still working out whether or not I really want to be Catholic.  All the issues raised in the film about the Church are issues I struggle with internally, being Catholic.  To say the Church is patriarchal is a bit of an understatement.  It is the oldest of old boys clubs.  Why does the mere fact that she is a woman determine that Sister Aloysius is a subordinate to Father Flynn?  That’s only the tip of the iceberg of questions you’re left with at the end of Doubt (sexism, sexual abuse, the effects of progressive reform, racism, etc.).  Let’s just say, like Sister Aloysius, I too have my doubts.

I recommend seeing this movie and it is worth a full-price ticket.  Maybe you should plan a dinner or drinks afterwards with whoever you see it because you will want to discuss.

ALISON SAYS:

I’ll be honest, I thought I’d find Doubt boring.  I knew I loved Meryl Streep, Philip Seymour Hoffman, and Amy Adams, but when I saw the trailers, it just looked like an overblown Oscar-baity drama with lots of boring outfits.  I was wrong, very wrong.  It’s great, truly great.  My grandmother, who NEVER goes to movies anymore, actually made her way to the theater to see this film and said it was really good.  My mom, who attended Catholic school with nuns as teachers, also saw the film and loved it.  It was interesting to me that two of the main women in my life both made the effort to go see a film where one of the main themes is that of womens’ powerlessness in the old days.

As always, Meryl Streep and Philip Seymour Hoffman blow you away with their skills as actors and remind you again why they’ve had enduring careers.  Amy Adams is also fantastic and charming, continuing her streak of being the best thing to ever come out of dinner theater.  And then there’s Viola Davis as the mother of Donald, Mrs. Miller.  Her screen time is minuscule compared to Streep, Hoffman and Adams, but her performance was one of the most memorable of the film and haunts you long after watching it.

I just looked up the director, John Patrick Shanley, on IMDb and noticed the last thing he directed was Joe Versus The Volcano and he wrote Moonstruck.  What a varied career.  It also goes to show the Midas touch Scott Rudin has as a film producer, whatever that guy touches turns to Oscar gold.  I talked to Rudin on the phone a few times at an old job, and just his voice alone can put the fear of God in you.   Maybe that level of fear is it what it takes to continually create amazing, Oscar worthy films.

LA Viewers: If you’ve ever wanted to see the epitome of superb acting, go see this film in the theaters.

Translation for non-LA natives: Same goes for you.